We are under the trellis of Nueva Vita, a garden that murmurs with heaves of impatiens. From somewhere, the scream of autos tears at the plum of gingersnaps. They coil and fold their leaves into boats. I hold your hand while leaning, watching passerines blowing kisses to one another. This is just as you like though we are not llamas gemelas; we are the stems of an allium shooting off in diverging directions, never to touch but always close, borne from the same fruits. We swell from the heat of that glowing suspension and the sun is singing. It singes your skin into milky champurrado. Liberated winds hold their shining ends as if a vessel. And hummingbirds bait and stick us as we turn to sap all over the tree scenery. An SUV bares its teeth across the way to remind us that we are machinery. You cup your hands into buds and hold them over these ears. Your words are soil to me with my ligaments of buzzing bees and veins rippling with honey. “Suelo bueno, tomar este corazón y comerlo.” The cherub fountains of flushed marble cry themselves onto the floor. Brown translucence melts into creases between planets, with our shoes dripping into softness, wasted pollen stolen on fingertips. Now, we no longer stand but float atop the white and scarred swing, still creaking back and forth like the hands on a clock. Usted toma estas flores picante como el suyo en su boca. I give you my roots and you give me your flowers.
copyright Zoe Ramos
Zoe Elise Ramos was born and raised in Corpus Christi. She studies chemistry and creative writing at Texas A&M-CC. She has been a poetry editor for the Windward Review since 2016. Her work has been featured in the Switchgrass Review, Sink Hollow, and the Sagebrush Review. She was also awarded a 1st place prize in the 2018 Scissortail undergraduate creative writing contest. Her latest work (in progress) is a multimedia zine which pays homage to social media culture and its impact on communication styles.